{"id":135101,"date":"2021-06-30T18:30:25","date_gmt":"2021-06-30T16:30:25","guid":{"rendered":"https:\/\/www.drawplanet.cz\/drawstudy\/?p=135101"},"modified":"2021-06-30T18:45:04","modified_gmt":"2021-06-30T16:45:04","slug":"8-tajemstvi-tvorby-v-pleneru-2","status":"publish","type":"post","link":"https:\/\/drawstudy.eu\/en\/8-tajemstvi-tvorby-v-pleneru-2\/","title":{"rendered":"8 tajemstv\u00ed tvorby v plen\u00e9ru"},"content":{"rendered":"
Plen\u00e9r (z francouzsk\u00e9ho en plein air \u2013 v p\u0159\u00edrod\u011b) je technika zobrazov\u00e1n\u00ed objekt\u016f v p\u0159irozen\u00e9m sv\u011btle a v p\u0159\u00edrodn\u00edch podm\u00ednk\u00e1ch.<\/p>\n
Od jin\u00fdch \u017e\u00e1nr\u016f se li\u0161\u00ed p\u0159edev\u0161\u00edm sv\u011btlem, proto\u017ee se chov\u00e1 \u00fapln\u011b odli\u0161n\u011b od osv\u011btlen\u00ed v interi\u00e9ru. Tato technika se stala velmi popul\u00e1rn\u00ed mezi francouzsk\u00fdmi impresionisty. Tak\u00e9 proto se v\u017eilo jej\u00ed francouzsk\u00e9 ozna\u010den\u00ed plen\u00e9r. Um\u011blci jako Jean-Baptiste Camille Corot, Jean-Francois Millet, Camille Pissarro, Pierre-Auguste Renoir a v neposledn\u00ed \u0159ad\u011b Claude Monet p\u0159isp\u011bli k tvorb\u011b plen\u00e9ru.<\/p>\n Pr\u00e1ce v plen\u00e9ru: 8 doporu\u010den\u00ed<\/p>\n 1. V\u00fdb\u011br spr\u00e1vn\u00e9ho m\u00edsta<\/p>\n Posa\u010fte se do st\u00ednu! To je nutnost. 2. Pokr\u00fdvka hlavy je nutnost<\/p>\n Dokonce i do st\u00ednu si nasa\u010fte \u0161irok\u00fd klobouk nebo k\u0161iltovku. To v\u00e1m umo\u017en\u00ed \u0161iroce prohl\u00ed\u017eet krajinu, tedy l\u00e9pe vid\u011bt to, co chcete.<\/p>\n 3. Skic\u00e1\u0159<\/p>\n K pr\u00e1ci na \u010derstv\u00e9m vzduchu pou\u017e\u00edv\u00e1 um\u011blec speci\u00e1ln\u00ed skic\u00e1\u0159, tedy blok s velmi tvrd\u00fdmi deskami. Pokud ale sv\u016fj speci\u00e1ln\u00ed skic\u00e1\u0159 nem\u00e1te, m\u016f\u017eete se p\u0159esto radovat z malov\u00e1n\u00ed v plen\u00e9ru. 4. Rychlost<\/p>\n Pracujte rychle. V opa\u010dn\u00e9m p\u0159\u00edpad\u011b se oko brzy unav\u00ed a neuvid\u00ed jemn\u00e9 nuance 5. P\u0159est\u00e1vky p\u0159i kreslen\u00ed<\/p>\n Pracujete-li d\u00e9le ne\u017e hodinu, ud\u011blejte si pauzu, abyste se rozpt\u00fdlili. Va\u0161e o\u010di pot\u0159ebuj\u00ed oddech, p\u0159ekvap\u00ed v\u00e1s,jak po chvilce odpo\u010dinku uvid\u00edte v\u0161e mnohem \u010derstv\u011bj\u0161\u00edm pohledem.<\/p>\n 6. Form\u00e1t pr\u00e1ce<\/p>\n Zvolte rad\u0161i men\u0161\u00ed velikost pap\u00edru, za\u010dn\u011bte od 10×15 a sp\u00ed\u0161e volte pouze v\u011bt\u0161\u00ed \u0161\u00ed\u0159ku. V\u011bt\u0161\u00ed form\u00e1t bude vy\u017eadovat v\u00edce \u010dasu a barev.<\/p>\n A jak \u0159ekl I. Levitan: \u201eNikdy se nesna\u017ete n\u00e1sledovat velk\u00fd form\u00e1t obrazu; ve velk\u00e9 etud\u011b je v\u00edce l\u017e\u00ed a v mal\u00e9m najdete jen velmi m\u00e1lo. \u201c<\/p>\n 7. Neust\u00e1le porovn\u00e1vat<\/p>\n V procesu pr\u00e1ce neust\u00e1le porovn\u00e1vejte r\u016fzn\u00e9 \u010d\u00e1sti obr\u00e1zku, zkoumejte t\u00f3n a barvu. 8. Dotvo\u0159en\u00ed detail\u016f<\/p>\n Na konci v\u0161e prozkoumejte podrobn\u011bji a dola\u010fte detaily. T\u00edmto zp\u016fsobem z\u00edsk\u00e1te hloubku krajiny a \u00faplnost obrazu.<\/p>\n A pokud se V\u00e1m v\u00edce l\u00edb\u00ed tvo\u0159it v pohodl\u00ed ateli\u00e9r\u016f tak se p\u0159ihlaste do Draw Planet :) Plen\u00e9r (z francouzsk\u00e9ho en plein air \u2013 v p\u0159\u00edrod\u011b) je technika zobrazov\u00e1n\u00ed objekt\u016f v p\u0159irozen\u00e9m sv\u011btle a v p\u0159\u00edrodn\u00edch podm\u00ednk\u00e1ch. Od jin\u00fdch \u017e\u00e1nr\u016f se li\u0161\u00ed p\u0159edev\u0161\u00edm sv\u011btlem, proto\u017ee se chov\u00e1 \u00fapln\u011b odli\u0161n\u011b od osv\u011btlen\u00ed v interi\u00e9ru. Plen\u00e9r se poprv\u00e9 objevovil na po\u010d\u00e1tku 19. stolet\u00ed v Anglii d\u00edky Johnu Constableovi a Richardu Parks Boningtonovi. Tato technika […]<\/p>\n","protected":false},"author":8,"featured_media":135097,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-135101","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-en"],"acf":[],"yoast_head":"\n
\nPlen\u00e9r se poprv\u00e9 objevovil na po\u010d\u00e1tku 19. stolet\u00ed v Anglii d\u00edky Johnu Constableovi a Richardu Parks Boningtonovi.<\/span><\/p>\n
\nKv\u016fli malov\u00e1n\u00ed venku se za\u010daly vyr\u00e1b\u011bt barvy v tub\u00e1ch P\u0159edt\u00edm p\u0159ipravovali um\u011blci barvy ve sv\u00fdch d\u00edln\u00e1ch.<\/p>\n
<\/p>\n
\nPr\u00e1ce vytvo\u0159en\u00e1 na jasn\u00e9m sv\u011btle bude nakonec p\u0159\u00edli\u0161 tmav\u00e1. A vy, pracuj\u00edc\u00ed na slunci, si zkaz\u00edte svou vizi.<\/p>\n
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\nV\u017edy m\u016f\u017eete pohodln\u011b sed\u011bt s n\u00edzkou skl\u00e1dac\u00ed \u017eidl\u00ed a oby\u010dejnou pevnou podlo\u017ekou s pap\u00edrem. Barvy jsou um\u00edst\u011bny na zemi, podlo\u017eku d\u00e1te na kolena, paletu dr\u017e\u00edte v ruce, kterou nemalujete. V\u0161echno jde!<\/p>\n
\n\u0160irok\u00fdmi tahy rozlo\u017ete z\u00e1kladn\u00ed barevn\u00e9 vztahy: obloha-zem\u011b (voda), koruny strom\u016f vzd\u00e1len\u00fdch a v pop\u0159ed\u00ed (sv\u011btlo a st\u00edn). To byste m\u011bli zvl\u00e1dnout b\u011bhem prvn\u00edch 15 minut pr\u00e1ce.
\nN\u011bkdy je u\u017e v t\u00e9to f\u00e1zi mo\u017en\u00e9 zastavit a zbytek dot\u00e1hnout doma ve v\u011bt\u0161\u00edm pohodl\u00ed.<\/p>\n
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\nAbyste dob\u0159e vid\u011bli vztahy mezi odst\u00edny, ob\u010das se pod\u00edvejte na p\u0159\u00edrodu rozost\u0159en\u00fdm pohledem. Detaily zmiz\u00ed a t\u00f3ny objekt\u016f se vyjasn\u00ed.<\/p>\n
\nhttps:\/\/www.drawplanet.cz\/drawstudy\/kurz\/<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"