{"id":31170,"date":"2018-04-04T15:41:04","date_gmt":"2018-04-04T13:41:04","guid":{"rendered":"https:\/\/www.drawplanet.cz\/drawstudy\/kaligrafie-a-lettering\/"},"modified":"2018-04-04T15:44:26","modified_gmt":"2018-04-04T13:44:26","slug":"kaligrafie-a-lettering","status":"publish","type":"post","link":"https:\/\/drawstudy.eu\/en\/kaligrafie-a-lettering\/","title":{"rendered":"Kaligrafie a lettering"},"content":{"rendered":"

Kaligrafie je um\u011bn\u00ed krasopisu, kter\u00e9 bylo zapomenuto s n\u00e1stupem kuli\u010dkov\u00e9ho pera. V posledn\u00ed dob\u011b ale za\u017e\u00edv\u00e1 znovuzrozen\u00ed. P\u0159ed t\u0159emi stolet\u00edmi bylo obrovsk\u00e9 mno\u017estv\u00ed \u0161kol a mistr\u016f krasopisu. Pro\u010d je vlastn\u011b kaligrafie tak atraktivn\u00ed? Odpov\u011b\u010f spo\u010d\u00edv\u00e1 v plasticit\u011b lini\u00ed, zkroucen\u00fdch a zmrzl\u00fdch v kr\u00e1sn\u00e9m tanci. Existuje n\u00e1zor, \u017ee se kr\u00e1sa kaligrafie nenach\u00e1z\u00ed pouze v p\u016fvabu lini\u00ed, ale tak\u00e9 v pravidle zlat\u00e9ho \u0159ezu. V\u0161echno, co je vytvo\u0159eno p\u0159\u00edrodou, v\u010detn\u011b \u010dlov\u011bka, je na tomto principu postaveno. Tvar p\u00edsmen, kter\u00fd byl po stalet\u00ed zdokonalov\u00e1n, z n\u011bj tak\u00e9 vych\u00e1z\u00ed.<\/p>\n

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\nKaligrafie rozv\u00edj\u00ed i jemnou motoriku. Mal\u00e9 a p\u0159esn\u00e9 pohyby z\u00e1p\u011bst\u00ed a prst\u016f na rukou a nohou jsou koordinov\u00e1ny nervovou, svalovou, kostern\u00ed i smyslovou soustavou. V\u00fdvoj jemn\u00fdch pohybov\u00fdch dovednost\u00ed je u\u017eite\u010dn\u00fd nejen pro d\u011bti, ale i pro dosp\u011bl\u00e9. Ovliv\u0148uje my\u0161len\u00ed, pam\u011b\u0165, koordinaci, agilitu, pozorov\u00e1n\u00ed a p\u0159edstavivost.
\nNa prvn\u00ed pohled se zd\u00e1, \u017ee um\u011bn\u00ed kaligrafie je velmi obt\u00ed\u017en\u00e9. \u010casto sl\u00fdch\u00e1me v\u011bty jako: \u201eM\u00e1m hrozn\u00fd rukopis, nikdy to nezvl\u00e1dnu napsat tak kr\u00e1sn\u011b. \u201c To je pouze m\u00fdtus. V kaligrafii, stejn\u011b jako v hudb\u011b, jsou trp\u011blivost a ka\u017edodenn\u00ed tr\u00e9nink nepostradateln\u00fdm z\u00e1kladem.<\/p>\n

Trochu V\u00e1m p\u0159ibl\u00ed\u017e\u00edme n\u00e1stroje, kter\u00e9 se ke kaligrafii pou\u017e\u00edvaj\u00ed.<\/p>\n

V\u0161echny kaligrafick\u00e9 n\u00e1stroje lze rozd\u011blit do dvou velk\u00fdch skupin: na ty \u0161irok\u00e9 a na ty se \u0161pi\u010dat\u00fdm koncem.<\/p>\n

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Pln\u011bn\u00ed pera
\nProfesion\u00e1ln\u00ed kaligrafov\u00e9 nenam\u00e1\u010d\u00ed pero do inkoustu, ale napln\u00ed jej pomoc\u00ed \u0161t\u011btce. Takov\u00fd zp\u016fsob pom\u00e1h\u00e1 p\u0159esn\u011b d\u00e1vkovat tu\u0161 a zabra\u0148uje ne\u017e\u00e1douc\u00edm skvrn\u00e1m a \u0161mouh\u00e1m p\u0159i psan\u00ed.<\/p>\n

\"\"<\/p>\n

Dr\u017e\u00e1ky na pero
\nM\u00e1me dva typy- p\u0159\u00edm\u00e9 a \u0161ikm\u00e9. \u0160ikm\u00e9 dr\u017e\u00e1ky se pou\u017e\u00edvaj\u00ed pro psan\u00ed \u0161pi\u010dat\u00fdmi pery, aby usnadnily odpozorov\u00e1n\u00ed spr\u00e1vn\u00e9ho sklonu 55 stup\u0148\u016f a abychom nemuseli list pap\u00edru tolik ot\u00e1\u010det.<\/p>\n

\"\"<\/p>\n

\u0160t\u011btce
\n\u0160t\u011btce jsou obdobou per, jsou bu\u010fto kulat\u00e9 (p\u0159i psan\u00ed \u0161pi\u010dat\u00e9) nebo ploch\u00e9 (p\u0159i psan\u00ed \u0161irok\u00e9). Pouze jsou mnohem ohebn\u011bj\u0161\u00ed a m\u011bk\u010d\u00ed ne\u017e pera.
\nNejlep\u0161\u00edmi kaligrafick\u00fdmi \u0161t\u011btci jsou p\u0159\u00edrodn\u00ed \u010d\u00ednsk\u00e9 \u0161t\u011btce.<\/p>\n

\"\"<\/p>\n

Pap\u00edr
\nPro \u00fasp\u011b\u0161n\u00e9 kaligrafick\u00e9 psan\u00ed je velmi d\u016fle\u017eit\u00e9 vybrat spr\u00e1vn\u00fd pap\u00edr. Pokud je pap\u00edr p\u0159\u00edli\u0161 tenk\u00fd nebo rozvoln\u011bn\u00fd, pero se zadrh\u00e1v\u00e1, neklou\u017ee a inkoust se rozt\u00e9k\u00e1.<\/p>\n

\"\"<\/p>\n

Tu\u0161
\nV \u00favodn\u00edch f\u00e1z\u00edch je lep\u0161\u00ed pou\u017e\u00edt ty nejpopul\u00e1rn\u011bj\u0161\u00ed a nejlevn\u011bj\u0161\u00ed druhy tu\u0161\u00ed z obchodu.
\n\u010c\u00ednsk\u00fd inkoust, kter\u00fd \u010dasto zaujme za\u010d\u00e1te\u010dn\u00edky, je pom\u011brn\u011b hust\u00fd a t\u011b\u017ece sestupuje z pera. Mus\u00ed b\u00fdt z\u0159ed\u011bn vodou. Tak se s n\u00edm p\u00ed\u0161e snadn\u011bji.<\/p>\n

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P\u00edsanky
\nPro za\u010d\u00e1tek studia jak\u00e9hokoli typu p\u00edsma je to nutnost. Jednou z nej\u010dast\u011bj\u0161\u00edch chyb student\u016f je n\u00e1zor “Psan\u00ed \u010dar je nuda, chci ps\u00e1t cel\u00e1 p\u00edsmena.” V\u00fdsledkem je, \u017ee jsou p\u00edsmena k\u0159iv\u00e1, rozestupy mezi nimi jsou r\u016fzn\u00e9 a s rytmem jsou tak\u00e9 probl\u00e9my.<\/p>\n

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Lettering je na rozd\u00edl od kaligrafie zp\u016fsob, jak nakreslit p\u00edsmena. Lettering je obraz sest\u00e1vaj\u00edc\u00ed se z p\u00edsmen a n\u011bjak\u00e9ho dal\u0161\u00edho grafick\u00e9ho n\u00e1vrhu. Stylistika p\u00edsma z\u00e1vis\u00ed na va\u0161\u00ed neomezen\u00e9 p\u0159edstavivosti. Ps\u00e1t m\u016f\u017eete \u010d\u00edmkoli, co V\u00e1s jen napadne: \u0161t\u011btcem, tu\u017ekou, perem, k\u0159\u00eddou atd.<\/p>\n

\"\"\"\"<\/p>\n

“Lettering je odli\u0161n\u00fd od p\u00edsma, stejn\u011b jako tvo\u0159en\u00ed z model\u00edny se li\u0161\u00ed od staven\u00ed z Lega\u201c Mark Simonson<\/p>\n

Kde krasopis vyu\u017e\u00edt?<\/p>\n

Ve skute\u010dnosti je to velmi jednoduch\u00e9. V modern\u00edm sv\u011bt\u011b m\u00e1 kaligrafie a lettering hromadu vyu\u017eit\u00ed!
\nPsan\u00ed origin\u00e1ln\u00edch pozv\u00e1nek a pohlednic pro svatby, v\u00fdro\u010d\u00ed a jin\u00e9 sv\u00e1tky pomoc\u00ed kreativn\u00edch kaligrafick\u00fdch n\u00e1pis\u016f.<\/p>\n

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Pln\u011bn\u00ed v\u0161ech druh\u016f ofici\u00e1ln\u00edch i neofici\u00e1ln\u00edch dokument\u016f elegantn\u00edm rukopisem je dal\u0161\u00ed p\u0159\u00edle\u017eitost\u00ed k vyd\u011bl\u00e1v\u00e1n\u00ed pen\u011bz. Kaligrafie nav\u00edc umo\u017e\u0148uje vytv\u00e1\u0159et menu restaurac\u00ed nebo kav\u00e1ren, vizitky a plak\u00e1ty i obaly pro handmade v\u00fdrobky. V n\u011bkter\u00fdch tisk\u00e1rn\u00e1ch s nimi lid\u00e9 st\u00e1le pracuj\u00ed, a pokud je to nutn\u00e9, vyhotovuj\u00ed ur\u010dit\u00e9 v\u00fdrobky s kaligrafick\u00fdmi n\u00e1pisy.<\/p>\n

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Kaligrafie je um\u011bn\u00ed krasopisu, kter\u00e9 bylo zapomenuto s n\u00e1stupem kuli\u010dkov\u00e9ho pera. V posledn\u00ed dob\u011b ale za\u017e\u00edv\u00e1 znovuzrozen\u00ed. P\u0159ed t\u0159emi stolet\u00edmi bylo obrovsk\u00e9 mno\u017estv\u00ed \u0161kol a mistr\u016f krasopisu. Pro\u010d je vlastn\u011b kaligrafie tak atraktivn\u00ed? Odpov\u011b\u010f spo\u010d\u00edv\u00e1 v plasticit\u011b lini\u00ed, zkroucen\u00fdch a zmrzl\u00fdch v kr\u00e1sn\u00e9m tanci. Existuje n\u00e1zor, \u017ee se kr\u00e1sa kaligrafie nenach\u00e1z\u00ed pouze v p\u016fvabu lini\u00ed, […]<\/p>\n","protected":false},"author":8,"featured_media":31167,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2],"tags":[190,317],"class_list":["post-31170","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-en","tag-art-en","tag-type-en"],"acf":[],"yoast_head":"\nKaligrafie a lettering - Draw Study<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kaligrafie a lettering\" \/>\n<meta property=\"og:description\" content=\"Kaligrafie je um\u011bn\u00ed krasopisu, kter\u00e9 bylo zapomenuto s n\u00e1stupem kuli\u010dkov\u00e9ho pera. 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